Ragtime Dances by Danse Libre

Ragtime Dances by Danse Libre

Re-live the Ragtime dance craze with us through the Maxixe, the Castle Waltz, the Tango, and the crazy and energetic One-Step Caper

 

Yeah, Cat’s Corner!

Yeah, Cat’s Corner!

Yeah, Swimgtime! You guys rocked at the Stanford Historical Dance Week dance concert tonight!

 

Victorian-Era Dances by Danse Libre

Victorian-Era Dances by Danse Libre

Danse Libre presents five gorgeous choreographies at the Stanford Historical Dance Week to an excited audience

 

Stanford Dance Weekend

Stanford Dance Weekend

Waltz, Swing, Tango, Blues, Bhangra, and more. Three wonderful days dancing with amazing folks from all over the country. Thank you for the dances!!!

 

M is for Mazurka: 1930s

M is for Mazurka: 1930s

With the influence of swing from African Americans, tango from Argentina, and continued popularity of the waltz, the 1930s saw an plethora of dance forms. Come and experience the hesitation waltz, foxtrot, tango, shag, and more with us — featuring guest performance by Swing Cats Rhythm Revue.

 

M is for Mazurka: Ragtime

M is for Mazurka: Ragtime

‘M is for Mazurka’ premiers in 24 hours! See you soon! Danse Libre is excited to bring alive the elegant and graceful waltzes of Vernon and Irene Castle and other favorites dances of the Ragtime dance craze.

 

M is for Mazurka: Victorian Era

M is for Mazurka: Victorian Era

Danse Libre’s Big Show starts this Friday! Come see the strong and proud dance of Mazur, the stately and graceful dance of Polonaise, the romantic Waltz, the energetic Galop, and the playful parlor games and cotillions popular with young ladies and men of the Victorian Era.

 

M is for Mazurka

M is for Mazurka

Don’t miss Danse Libre’s big show this Friday and Saturday!

 

Still Life with Decoy: Decoy

Still Life with Decoy: Decoy

Bursting with energies and emotions, oblivious to a campus frozen outside (Part 3 of 3)

 

Still Life with Decoy: Still Life

Still Life with Decoy: Still Life

What happens when the campus comes to a stand still? (Part 2 of 3)